帖子完整标题：聚焦人生/自动对焦 Auto.Focus.2002.1080p.BluRay.x264-AMIABLE 11.04GB

◎译　　名　聚焦人生/自动对焦
◎片　　名　Auto Focus
◎年　　代　2002
◎产　　地　美国
◎类　　别　剧情 / 传记 / 犯罪
◎语　　言　英语
◎上映日期　2002-11-08
◎IMDb评分 6.6/10 from 13075 users
◎IMDb链接 https://www.imdb.com/title/tt0298744/
◎豆瓣评分　6.7/10 from 75 users
◎豆瓣链接　https://movie.douban.com/subject/1306753/
◎片　　长　105 分钟
◎导　　演　保罗·施拉德 Paul Schrader
◎编　　剧　罗伯特·格雷史密斯 Robert Graysmith
◎主　　演　格雷戈·金尼尔 Greg Kinnear
　　　　 　威廉·达福 Willem Dafoe
　　　　 　丽塔·威尔逊 Rita Wilson
　　　　 　玛丽亚·贝罗 Maria Bello
　　　　 　柯特·富勒 Kurt Fuller
　　　　 　约瑟夫·D·雷特曼 Joseph D. Reitman
　　　　 　丽薇斯切尼迪 Evis Xheneti
　　　　 　罗德里克·麦卡蒂 Roderick McCarthy
　　　　 　迈克尔·麦基恩 Michael McKean
　　　　 　Olivia Saint
　　　　 　Zero
　　　　 　玛丽亚·德尔菲诺 Marieh Delfino
　　　　 　莱勒·坎诺斯 Lyle Kanouse
　　　　 　约翰·卡普洛斯 John Kapelos
　　　　 　凯蒂·罗曼 Katie Lohmann
　　　　 　亚丽克斯·门纳塞斯 Alex Meneses
　　　　 　凯文·贝尔德 Kevin Beard
　　　　 　珊农·墨菲 Shannon Murphy
　　　　 　Jennifer Piper
　　　　 　Cassie Townsend
　　　　 　小艾德·博格里 Ed Begley Jr.
　　　　 　Zen
　　　　 　Kelly Packard
　　　　 　Bruce Bauer
　　　　 　凯特克拉克 Kate Clarke
　　　　 　Gibby Brand
　　　　 　凯瑟琳·丹特 Catherine Dent
　　　　 　乔·格里法西 Joe Grifasi
　　　　 　凯文·基尔纳 Kevin Kilner
　　　　 　罗恩·雷布曼 Ron Leibman
　　　　 　丹妮尔·佩蒂 Danielle Petty
　　　　 　阿尔登·马林 Arden Myrin
　　　　 　Shawn Reaves
　　　　 　Michael E. Rodgers
　　　　 　Bruce Solomon
　　　　 　Amanda Niles
　　　　 　Kitana Baker

◎标　　签　美国 | 美国电影 | 传记 | 剧情 | 2002 | 聚焦人生 | 犯罪 | Paul_Schrader

◎简　　介

　　In 1965, Bob Crane, who had achieved some earlier success as a television supporting actor, was working as a successful morning radio DJ at KNX Los Angeles. Despite enjoying his work, photography (especially of the female form) and drumming, Crane wanted to be a movie star. So it was with some reluctance that he accepted the title starring role in a new television sitcom called Hogan’s Heroes (1965), a WWII POW comedy. To his surprise, the show became a hit and catapulted him to television stardom. The fame resulting from the show led to excesses and a meeting with home video salesman and technician John Carpenter, with who he would form a friendship based on their mutual interests, namely excessive sex (for Crane, purely heterosexual sex) and capturing nude females on celluloid. His fame allowed Crane to have as much sex as he wanted, which was incongruent to his somewhat wholesome television friendly image, and the way he portrayed himself to almost everyone except Carpenter and his…

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