◎译　　名　深夜的邀请/深夜的请帖
◎片　　名　真夜中の招待状
◎年　　代　1981
◎国　　家　日本
◎类　　别　剧情/悬疑
◎语　　言　日语
◎上映日期　1981年9月26日
◎IMDb评分  7.6/10 from 5 users
◎IMDb链接  http://www.imdb.com/title/tt0368018/
◎豆瓣评分　0/10 from 2 users
◎豆瓣链接　https://movie.douban.com/subject/5237124/
◎片　　长　125分
◎导　　演　野村芳太郎 Yoshitaro Nomura
◎主　　演　小林麻美
　　　　　　芦田伸介 Shinsuke Ashida
　　　　　　小林薰 Kaoru Kobayashi
　　　　　　宫下顺子 Junko Miyashita
　　　　　　米仓齐加年 Masakane Yonekura
　　　　　　丹波哲郎 Tetsur^o Tanba

◎简　　介

　　圭子因为未婚夫树声的事情去拜访了神经科医生会泽。由于树声的三个哥哥接连失踪，觉得自己将会是下一个失踪的人的树声患上了精神衰弱。三个哥哥就像是遇上神隐了一样突然消失了。作为解开这个谜团的关键，会泽让树声把自己的梦记下来。梦里能预见对不久的将来所发生的事情，这是人的本能。树声和圭子不久便发现了与三人失踪相关联的事情，展开了调查…

1. .Plot

2. Keiko‘s fiancé suffers from a nervous breakdown after having three of his brothers suddenly disappear one after another. Keiko seeks to solve the mystery and discovers an astonishing fact…

4. TAGLINE……………….: Mayonaka no sh^otaij^o | Call From Darkness

5. GENRE…………………: Mystery | Drama

6. IMDb RATING……………: 7.6/10 (5 votes)

7. IMDb LINK……………..: http://www.imdb.com/title/tt0368018/

9. .Release.Info

10. ENCODER……………….: M @ WiKi

11. RELEASE DATE…………..: 2016-08-01

12. RELEASE SIZE…………..: 17.0 GiB

13. SOURCE………………..: 1080p Blu-ray AVC LPCM 2.0-TTG

15. .Media.Info 

16. RUNTIME……………….: 2h:04m:37s

17. VIDEO CODEC……………: x264 CRF18.5 @ 19303Kbps

18. RESOLUTION…………….: 1920×1012

19. DISPLAY ASPECT RATIO……: 1.897:1

20. FRAME RATE…………….: 23.976 fps

21. AUDiO CODEC……………: Japanese AAC1.0 V127 @ 150Kbps

22. SUBTiTLES……………..: JPN (PGS)

23. CHAPTERS………………: Numbered and Named as on Blu-ray

25. .x264.Info

26. x264 [info]: profile High, level 4.1

27. x264 [info]: frame I:934   Avg QP:16.60  size:227496

28. x264 [info]: frame P:31300 Avg QP:17.49  size:122500

29. x264 [info]: frame B:147046 Avg QP:18.26  size: 95173

30. x264 [info]: consecutive B-frames:  0.7%  0.3%  1.4%  3.2% 10.3% 77.0%  5.5%  1.0%  0.4%  0.3%

32. .Notes 

33. – Dirty pixels fixed by balanceborders.

35. – Three frames of Pepsi advert that mysteriously inserted in opening credits

36.   replaced with their adjacencies. 

38. – Black levels lowered by 0/2/3/4/5/6/7/8/10/12 (8-bit scale) with 

39.   Smoothlevels16 and U plane shifted -1/0/1 (8-bit scale) with Smoothtweak16 

40.   to respectively soothe washouts and/or slight yellow/blue tint presented in 

41.   different frames/shots (some with one filter, some with both, and only a few 

42.   with neither). Implemented in double conditionalfilter calls after going 

43.   through the whole film shot by shot four times. Only a couple of frames 

44.   (pure black) at the beginning and the end untouched.

46. * It was tedious and boring picking, comparing, testing, checking, 

47.     again and again, in consideration of details in dark, black/white balance, 

48.     skin tone, perceptual uniformity of adjacent shots/scenes, and blablabla. 

49.     I was just doing some sparing corrections but I‘m no expert or colorist. 

50.     My amateurishness, in conjunction with the lazy monster inside, should have 

51.     definitely led to misses, false alarms and over/under-treatments 

52.     here and there, no matter how meticulous I tried/pretended to be. 

54. * This HD remaster was claimed to be supervised by cinematographer 

55.     Takashi Kawamata. Guess the cameraman might have enlightened the mastering 

56.     mostly by observing the GIFs sent by Shochiku in Yahoo Mail. #JustSayin

57.    

58. – Original monaural sound restored. 

59. * Thought I gotta leave a note about my habitual monophonic operation. 

60.     For stereo output, make sure the mixing matrix of your decoder is disabled

61.     or the Center mix level is switched to 1.

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